There are two working tools of the Dhyana process – An imagery to focus upon and a mantra related to the image - as has been explained in the previous issue. Mantra is usually a set of syllables placed in a logical sequence to create a particular sound effect. It could be just a seed letter, syllable, word, or a set of words, which as a sequel to stress created and uttered by mouth, is heard by ears, and apprehended by mind. Mantra is so called, because it involves a mental process. The word as such comprises of ‘man’ out of ‘manana’ and ‘tra’ out of ‘trāna’. Mana stands for mind; manana implies reflection in mind; and trāna stands for liberation. So, chanting of mantra helps attain liberation from mental limitations. It, thus, serves a great purpose, as mantra happens to be a radiant energy, rather a sound-body of consciousness, set in correspondence with the consciousness of the related imagery. Following repeated chanting of the mantra with focus on the related imagery, consciousness of the seeker, in the first place, comes to terms with that of the mantra and the imagery. Eventually the seeker’s consciousness becomes one with the eternal element of consciousness over a period of time. Pursuing the process, doesn’t happen without meeting difficulties on the way. Invariably, the seeker is confronted with distracting thoughts that drift our attention away from our focal point, again and again. Don’t confront those distracting thoughts. If you ever do that, they will stay put in mind, and keep visiting again and again. The only way out is training one’s mind to remain disengaged from them. Mind it; unless you pay attention to something, it won’t affect you. Keep chanting the mantra and try to bring back attention to the imagery sought after again and again. Gradually, the distracting thoughts will go out of reckoning, and you may be able to remain focused for a longer stretch of time. Let me add here that when the sound notes of the mantra resonate to the imagery in focus, over a period of time, one gets so involved that distracting thoughts if any are left far behind. When one gets fully established in the process, mind becomes one pointed. In the process, one also inculcates a value system, coming as it may with the educative import of the imagery in focus. Samādhi As one gets established in the dhāranā process, the seeker is in harmony with the imagery and its related educative import, as well as the resonating mantra. We, thus enter into a state of dhyana. Pursuing the process further, a stage is arrived at when mantra gets dropped. Eventually all thoughts drop but one remains steadfast with the concept synonymous with the imagery in focus. This state is termed as being in savikār samādhi (immersed in the iconic figure targeted). Further down the line, even the iconic figure drops. Following which the mantra, the imagery, and the mind become one seamless awareness, ...
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